Giovanni Fusetti
| Tutto ciņ che č profondo ama la maschera. Friedrich Nietzsche (1844-1900) |
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Boulder International Clown School 2010: THE RED NOSE
25 Luglio, 2010 → 17 Agosto, 2010 - Boulder, COLORADO
Welcome to the 7th edition of THE RED NOSE workshop – a unique opportunity to study and practice the essence of Theatre Clown
and the roots of physical comedy.
Join us to explore the sublime stupidity of Clown,
with the gentle and powerful support of the Rocky Mountains.
Clown is about comic poetry: funny and touching, essential and rigorous.
It's a dive into the mystery of laughter.
Deeply rooted in movement-based theatre, this course proposes an intensive training in Clown – a specific theater genre. The pedagogy focuses in particular on the analysis of the physical and emotional world of each actor, as revealed by her or his natural body. This will lead to the discovery of a unique individual clown, with a specific body, tempo, voice, costume, attitudes, emotions, and poetic world.
The journey begins with the exploration and analysis of the body within the theatrical space. In terms of movement, no body is neutral – every body carries profoundly expressive themes, embodied in everyday movement. There is a web of "non-neutral attitudes" and physical and emotional “background noises" within each person’s movement and physical presence. If an actor is observed with an eye to movement, using the reference point of the Neutral State, this web appears like painting/markings on a white sheet. They are “dramatic” in the etymological sense: they contain a drama – an action.
The use of the smallest mask in the world: the Red Nose, and the amplification and articulation of these very personal themes allows the actor to enter the Clown state. The clown is not a character – it’s a state of playing where everyone has access to the key question: what is so funny about me?
To discover one’s own clown is to reveal one’s own unique comic persona and turn it into a universal comic form.
For a performer, there is something fundamental about the discovery of her or his personal Clown: it's raw, pure, personal, unique, challenging, empowering, revealing, and extremely rewarding... It’s the exquisite pleasure of touching the empty space of complete comedy.
As a theatre genre, Clown has a unique poetic potential because it allows the performer to explore and play with the naiveté and the vulnerability of the child, and with the rigor and the technique of the adult, thus revealing the poetry of the ridiculous, and a unique personal poetic power.
The sublime stupidity of the clown is his enduring trust in life, despite her or his complete imperfection.
There are as many clowns as there are human beings.
There is one way to stand while there are infinite ways to fall.
Intelligence is limited. Stupidity is infinite.
THE PROGRAM
First Week: THE CLOWN “STATE”
- Play, action/reaction and fun
- From the neutral state to the comic state
- The Red Nose as a mask: amplification and articulation of movement
- The clown as a state of being on stage
- The empty space
- Emotional awareness and contact with the emotional body of the actor
- Contact with the audience
- Playing with space and with objects
Second Week: THE PLAY (le jeu)
- The relationship among clowns: hierarchy, leaders and servants, levels of stupidity
- The Circus Clown Archetypes: Augustus, White Clown, Monsieur Loyal
- The Clown's Voice
- Clown numbers and le bide (fiasco)
- The Rhythmical space: entrance, crescendo, development of themes
- The actor’s skills in service to the clown
- Playing with music, singing, acrobatics, juggling, dance and unusual or unique skills
Third Week: DEVISING CLOWN NUMBERS
- The writing of a Clown Number based on the work of the previous weeks' work
- Accidents and comic routines
- Devising a clown variety show
- Writing and directing clowns: each clown will work and rework on some numbers/routines to be presented in 2 public performances
- Rehearsing the Clown Variety Show
Fourth Week
- Public presentation
- Feedback on the presentation and re-work for a second performance
SCHEDULE
July 25th to August 17th, 2010
Sunday 25th – Registration & Presentation day: 3 - 10 pm, with public introductory lecture/open class by Giovanni Fusetti.
General Schedule: 4 - 10 pm (6 hours per day)
Days off:
Sat & Sun, July 31st & Aug 1st
Sat & Sun, Aug 7th & 8th
Sat, Aug 14th
Schedule for final section:
Sun, Aug 15th: 11am – 7pm
Performances: Mon & Tues, Aug 16th & 17th
The location of the workshop is the Boulder Circus Center
ADMISSION
The aim of this course is to give participants professional theatre tools, in order to play and create within their own clown world. It is addressed to people with previous performance experience (theatre, circus, dance, music, etc.) It is a training based on generosity and commitment to turning one’s own genuine humanity into play.
To apply, email a CV (Resume) and a letter of motivation. The letter must include these themes:
-how did you come to know about this work?
-what is your experience with movement-based theatre?
-what is your previous experience with clown?
-for what purpose do you apply for this program?
Giovanni will choose students from the applications received, forming the group.
If the student's application is accepted, s/he will be given a spot in the class, in the order the application was received.
Once Giovanni has selected 12 students, the workshop is full, and a waiting list will be created. Please note that this workshop tends to fill up fairly quickly so if you intend to participate, we encourage you to apply as soon as possible.
To confirm the enrollment, a deposit of US$500.00 is due.
Please note: the deposit is non-refundable.
Tuition
Early bird discount (If deposit received by May 1st, 2010): US $1,300.00
Full price (If deposit received after May 1st, 2010): US $1,650.00
A discounted total tuition fee is available for participants who enroll in both workshops: THE RED NOSE + BOUFFON = US $2,200.00
To receive this discount, the full payment must be received by May 1st.
After this date, the discount will not be available.
Enrollement situation on July 6th: one spot has become available.
IMPORTANT NOTES
The workshop will be taught in ENGLISH and requires a basic understanding of this language.
If you are interested in attending the workshop, please contact
Telephone: +1 303-746-2669 (US Mountain Time, GMT-7)
Pictures from rehearsals for the final performances of THE RED NOSE 2008 & 2009.
Photo credits: Alex Miles Younger, Marcin Blahbik and David Poznanter.
