Giovanni Fusetti
| I can honestly say that I was never affected by the question of the success of an undertaking. If I felt it was the right thing to do, I was for it regardless of the possible outcome.Golda Meir (1898-1978) |
THE TAO OF CLOWN
8 May, 2015 → 10 May, 2015 - Auckland, Aotearoa-New Zealand
THE TAO OF CLOWN
A poetic journey
of awareness through laughter
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Welcome to a unique adventure, in which poetry meets healing and your personal clown will reveal your own crazy wisdom.
A human being, alone in front of the audience, a Red Nose, the smallest mask in the world. No costume, no text, no devised actions, nothing: the emptiness, the simple silent presence… Suddenly a gesture appears: a spontaneous movement, an emotion, a sound… The audience recognizes something profoundly human and the miracle of laughter is there: the mysterious gift of all clowns.
The Clown is a very personal comic state. It exists in the fullness of the present moment: in this state of being without doing, the person touches the richness of the “here and now” and becomes aware of her/his way of being in contact with the world.
In this letting go of all intentions s/he touches the magical “poetry of the ridiculous”: to play with one’s uniqueness, to laugh at oneself, to laugh with oneself, transforming fragility, imperfections, wounds and contradictions into comic poetry and personal power.
Artistically, the Clown has a profound poetic potential because it allows the person to explore and play with the naiveté of the child and the rigor of the adult.
The clown is raw, pure, personal, unique, challenging, empowering, revealing, extremely rewarding. It is not a character, it’s a state of playing where everyone has access to this key question: what is so funny about myself? And the red nose as mask has the sublime power of transforming any true emotion into comic presence.
The pedagogy of the workshop focuses on the analysis of the physical and emotional world of each person, as revealed by the body in space.
In terms of movement, no-body is neutral: every-body carries themes that are profoundly expressive, em-bodied in everyday movement. There is a web and physical and emotional “background noises" within each person's movement and physical presence. This web appears like painting/markings on a white sheet. They are “dramatic” in the etymological sense. They contain a drama: an action.This work of analysis leads to the discovery of a unique clown, with a specific body, tempo, voice, attitudes, emotions, and poetic world.
The search of one’s own clown is an intense and fascinating emotional journey. It’s a quest of self knowledge, that brings each person in contact with her unique way of being in the body and in space: to inhabit and play with one’s own unique physical and emotional world, to amplify it and transform it into a universal comic form.
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THE PEDAGOGY
The pedagogical approach integrates Physical Theatre with Gestalt Therapy, Bioenergetics, Taoist Principles and Process Work.
The result is a deep artistic and emotional work, involving the body in a dynamic of play, laughter and awareness. In teh core of the work there is the combination of three fundamental principles.
The first two come from the bodywork tradition, first expressed in the West by Wilhelm Reich and then explored in many different approaches:
What is not expressed by the body remains impressed in the body.
The expression of all emotions brings fluidity (flow) to the body and this fluidity brings physical pleasure.
The third comes from the ancient tradition of theatre as a ritual of connection with the powers of the human soul.
The part of ourselves that we don’t play, will play us.
Combining these principles, playing in the clown state becomes a form of knowledge, reconnection and empowerment.
So by the unfolding of the impressed energies of the body a clown will appear, and through playing this form a unique freedom and a pleasure will rise.
The Way (Tao) of clown brings a powerful insight, witnessed by the audience, and generates the ecstatic joy of being who we are, in an amazing experience of letting go of all intention (Wu-Wei).
This workshop addresses to every person wishing to experience a journey of self-discovery through the healing power of laughter. It is open to any person intersted in working on her-himself, and to any one who is involved in the arts, education, social work, health care (educators, social workers, therapists...)
The emotional work will be intense and ecstatic: the body will reveal what it needs to experience and express, in a dynamic of amplification, play, letting go and insight.
Shadows, angels, demons, archetypes, physical symptoms, dreambody processes will appear and will be welcomed in the alchemical power of the group.
A strong and playful desire of diving in one’s own folly is required !
Come and walk off the cliff and discover that we don’t fall.
Actually, we are falling upward.
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SCHEDULE
The workshop is devised for an intensive week-end of 3 days.
Friday May 8th: 4:00pm to 10:00pm.
Saturday May 9th: 9:30am to 6:00pm.
Sunday May 10th: 9:30am to 6:00pm.
LOCATION
Long Bay College
Ashley Avenue
Long Bay
Auckland 0630, NZ
ENROLLMENT
TUITION
Early Bird Discount: NZ$ 450. If full Payment is made by April 15th, 2015
Full Price: NZ$ 530
To apply to the workshop please e-mail a letter of motivation to Giovanni, sharing the essence of your story, vision, dream, desire, fear or un-explicable intuition that lead you to this workshop. Once the application is accepted, applicants can confirm their enrollment by sending a NZ$200 non-refundable deposit.
Once selected, places will be given in order of arrival.
Please note that, in case of cancellation, the deposit will not be refunded, and the remaining part of the paid tuition will be refunded only if the place in the workshop is replaced. In any case no tuition will be refunded for cancellations occurred less than a week before the beginning of the workshop (May 1st).
Please note that the number of participants is limited to 12.
The workshop tends to fill up quickly so if you intend to participate apply as soon as possible.
Once the 12 places will be assigned, a waiting list will be set up, in case someone will abandon.
Once enrolled, let us know if you wish to share your contact in order to organize car-pooling or shared travels.
Enrollment situation on APRIL 17th: the workshop is currently FULL.
A waiting list has been created.
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For further information about the content of the workshop and to apply
please contact Giovanni Fusetti
Cell phone: +64 (0)21 084 32394
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Picture n.1: Joan Miro: The smiel of the flamboyant wing (1953)
Picture n.2: Kokopelli, a Native American trickster figure
Picture n.3: Henri Matisse: Icarus (1947)
Picture n.4: Marc Chagall: Acrobat with a Violin (1919)
Picture n.5: Joan Miro: Blue (1961)